BIO

Andrea Frank was born and raised in Munich, Germany, and graduated with honors from the Academy of Fine Arts Munich, Germany. Supported by grants from the German Academic Exchange Service (DAAD) and the Rotary International Foundation, she moved to New York City, where she earned her MFA from Parsons The New School and later participated in the Whitney Independent Study Program.

Through an artist's lens, she explores the climate, biodiversity, social justice, and psychological impacts of our current way of life. In her studio practice, she explores ecological complexity and collective responsibility and psychology through photography and related media. She has developed the collaborative System Drawing format to explore emergent pathways toward regenerative culture across disciplines and holds related workshops locally and internationally. She embraces creative experimental collaboration as a tool for transformation and connection, integrating Indigenous perspectives, organizational innovation frameworks and embodied practices into formats of engagement, education and life. She currently engages in embodied research with Michael Asbill (under the name tree speed) as part of an artist residency at Mohonk Preserve and collaborates toward a regenerative culture on campus and beyond as a core member of Eddy at New Paltz, an evolving, open, trans-disciplinary, co-creative, and embodied learning lab. 

Frank is the recipient of numerous grants and fellowships, most recently from the German Academic Exchange Service (DAAD), the Visual Studies Workshop in Rochester, NY, Arts Mid Hudson, and the SUNY Network of Excellence. Solo exhibitions include UNF Gallery of Art in Jacksonville and 621 Gallery in Tallahassee, FL; Galleria Michela Rizzo in Venice, Italy; Carroll and Sons in Boston; Edward Thorp in NYC; and Kunsthalle Göppingen in Germany. She hosts experiential think tanks and System Drawing sessions internationally. 

From 2003 -12 Frank served as a lecturer in Photography and Related Media at the MIT Program in Art, Culture and Technology at the Massachusetts Institute of Technology in Cambridge, MA. While at MIT, she also engaged in creative interdisciplinary research and studied System Dynamics to better understand the drivers underlying our current environmental and existential crisis, which became the foundation for her collaborative System Drawing format. She is an Associate Professor and head of the Photography Program at the State University of New York at New Paltz in the Hudson Valley, NY

CURRICULUM VITAE

Born in Munich, Germany, lives and works in New Paltz, NY.

EDUCATION:

1998-99 Whitney Independent Study Program, New York, NY
1995-97 Parsons School of Design (MFA), New York, NY
1989-95 Academy of Fine Arts (Diplom, Staatsexamen, Meisterschülerin), Munich, Germany

TEACHING:

SOLO EXHIBITIONS AND MAJOR ENGAGEMENT PROJECTS:

2023	Sensory Ecology, Galeria Central, Facultad de Ciencias de la Comunicacion, Malaga, Spain (solo exhibition) Adapting to Tree Speed, CANO, Oneonta, NY  (tree speed solo exhibition installation with Michael Asbill)
2022	Adapting to Tree Speed, Mohonk Preserve, New Paltz (three sculptural entanglement sessions, with Michael Asbill)      Dimensions of Transdisciplinary Collaboration, a series of three international virtual System Drawing workshops, with Dr. Paul Hirsch, ESF Eddy at New Paltz Newburgh engagement process and workshops using Theory U framework (with Eddy collaborators)
2021	Sensing and System Drawing, FAAD, Temuco, Chile (5 day virtual workshop) Eddy at New Paltz development process and workshops using u.lab2x framework and System Drawing (with Eddy collaborators)
2020	Virtual Think Tank, (3 day international experimental and experiential think tank, collaboration with Michael Asbill)
2019	Lysis, 621 Gallery, Tallahassee, FL Collaborative Artistic Research: Direct Fieldwork Strategies and System Drawing, Universität der Künste, Sauen, Germany (4-day think tank, with Kristina Leko) World Climate Simulation Re-Frame, University of the Arts (UdK) Berlin, Germany, (4-day think tank)
2018	Lysis, UNF Gallery of Art, Jacksonville, FL (catalogue) System Drawing Session in conjunction with Lysis, UNF Gallery of Art, Jacksonville, FL
2017	Heeding Impulse: A series of three System Drawing Sessions presented by CHRCH Project Space, NY:     Sensory Ecology, Sky Lake Meditation Retreat Center, Rosendale, NY     Germination Explorations, Hudson Valley Seed Company Farm, Kerhonkson, NY     Common Wealth, CHRCH Project Space, Kottekill, NY System Drawing Session: Intimately Unfamiliar, Dorsky Museum, New Paltz, NY
2016	Systems: Studies, Dimora Oz, Palermo, Italy (solo exhibition and System Drawing session) System Drawing, O+ Festival, Kinston, NY (System Drawing session) feed back - future feed think tank #3, New Paltz, NY (transdisciplinary think tank) feed back - future feed think tank #2, Mërida, México (transdisciplinary think tank) feed back - future feed: Visioning Sustainability for New Paltz as a Case Study (collaborative project, funded by a SUNY Network of Excellence Arts and Humanitites seed grant, in progress since June 2015)
2015	feed back - future feed think tank #1 , SUNY New Paltz, NY (transdisciplinary think tank) Convergences, Galleria Pinta, Genova, Italy
2014	Systems: Tree, Team Love Ravenhouse, New Paltz, NY
2012	Systems, Galleria Michela Rizzo, Venice, Italy
2010	Ports and Ships, Brevard Art Museum, Melbourne, FL
2009	Ports and Ships - Photographs by Andrea Frank, Compton Gallery, MIT Museum, Cambridge, MA (catalogue) Ports and Ships, Carroll and Sons Gallery, Boston, MA
2008	Ports and Ships, Kunsthalle Göppingen, Germany (catalogue) Andrea Frank – VISIONS, MIT Museum, Cambridge, MA (exhibition and book launch)
2006-7	Andrea Frank new photographs Edward Thorp Gallery, New York, NY
2005	Andrea Frank Galleria Michela Rizzo, Venice, Italy
2004	Andrea Frank PINTA arte contemporanea, Genova, Italy SEARCH Marvelli Gallery, NY
2002	Beloved Child Marvelli Gallery, New York, NY
2001	Case Study Marcello Marvelli Fine Arts, NewYork, NY Case Study Gambalunga Museum, Rimini, Italy (catalogue)
2000	Stefan Stux Gallery, New York, NY (project room)

GROUP EXHIBITIONS, PROJECTS and PUBLIC INTERVENTIONS:

2023	Ephemeral Drawings, Peterskill stream, New Paltz, NY (collaboration with Aurora De Armendi for Drawing Ground Symposium) Stepping into Deep Time, Dorsky Museum (creative collaborative session, with Wren Kingsley) Sound Your Truth: Courage, SUNY New Paltz ( creative sharing event centering underrepresented voices, co-created by Eddy at New Paltz collaborators)
2022	Social Photography X, Carriage Trade, New York, NY (catalogue) An/Aesthetic, Rosekill, Rosendale, NY (outdoor group exhibition) Sound Your Truth: Emergence/y, Eddy at New Paltz, SUNY New Paltz (trans-disciplinary creative event, co-created with Eddy collaborators) Afrofuturism: The Imagination to Change, creative System Drawing event at Dorsky Museum, co-hosted with Anthony Dandridge and Adrienne Atterberry, Eddy event.
2021	Collective Consciousness: New Work by SUNY New Paltz Art Faculty, Dorsky Museum, New Paltz, NY (catalogue) Sound Your Truth, Eddy at New Paltz, SUNY New Paltz (trans-disciplinary social justice focused cultural event, co-created with Eddy collaborators) Social Photography IX, Carriage Trade, New York, NY (catalogue) Circle back - Give Thanks (social engagement event, Eddy collaboration)
2020	10th Bienal do Douro, Douro, Portugal  (catalogue) Social Photography VIII, Carriage Trade, New York City (catalogue) eco consciousness, Eco ArtSpace (online exhibition curated by Eleanor Heartney, catalogue)
2019	Social Photography VII, Carriage Trade, New York City Global Print,   Douro, Portugal Emergency is a Mental Model,  University of Lille, IIPPE Conference  Lille, France (performance with projection, in collaboration with Michael Asbill and Amanda Heidel)  Time Drawing - A System Drawing Session, SUNY New Paltz, NY, Drawing Acts: Process and Performance // Thinking through Drawing Symposium. (System Drawing workshop in collaboration with Michael Asbill)
2018	Climate Constellations, Unison Arts Center (System Drawing workshop in collaboration with Michael Asbill and Amanda Heidel) I will never know this garden #7, Garner Arts Center, Garnerville, NY (collaborative project with Michael Asbill and Amanda Heidel) Social Photography VI, Carriage Trade, New York City
2017	Orphans of Painting, Ethan Cohen Gallery, New York, NY A Scientific Encounter, Great North Museum: Hancock in Newcastle, UK (screening event) Take only what you can carry with you, Yellow Peril Gallery, Providence, RI Intimately Unfamiliar, Dorsky Museum, New Paltz, NY (catalogue) Holiday Pop-Up Group Exhibition, DeChiara Projects Gallery, Stone Ridge, NY
2016	The Enemy Within, Área Lugar de Proyectos, Caguas, Puerto Rico Under A Black Sun, Bergen Kjott, Bergen, Norway
2015	Wild at Heart: Our Affair with Nature, ArtSpace, Raleigh, NC A Foreign Encouter, Galerie Foe, Munich, Germany
2014	Group Show #8: First Generation,Wired Gallery, High Falls, NY Open Engagement, Queens Museum, Queens, NY (display organized by Matthew Friday and Greg Sholette in conjunction with conference) Extended Vision, Artbar, Kingston, NY Fragmente der Vorstellung, Galerie der Künstler, Munich, Germany Wayfinding Film Festival, video screenings at Wassaic Project Festival, Wassaic, NY; Farmer's Market, Belfast, ME; Congress Square, Portland, ME; Avenue Concept, PRovidence, RI; O+ Festival, Kingston, NY Experimental System Drawing Sessions, TeamLove Ravenhouse Gallery, New Paltz, NY; SUNY NP Campus
2013	Fields of Vision, Samuel Dorsky Museum of Art, New Paltz, NY (catalogue) Your Body is a Battleground, Pristine Gallery, Monterrey, Mexico The New York School(s), The Pingyao International Photography Festival, Pingyao, Shanxi Province, China The Name, The Nose, Museolaboratorio, Citta Sant’Angelo, Italy Alumni Exhibition, Parsons The New School, New York, NY
2012	To Extremes, MIT, Cambridge, MA 2012 Project Berlin, Factory-Art, Berlin, Germany (catalogue)
2011	Open DIY, Somerville, MA (collective mend/repair/recycle practices)
2008	Presumed Innocence: Photographs of Children, DeCordova Museum, Lincoln, MA (catalogue) Depletion: From the Doron Sebbag Collection, Tel Aviv Museum, Tel Aviv, Israel (catalogue) Yeaosu Art Festival, Yeosu, South Korea (curator Raul Zamudio)
2007	Short Stories, Macy Art Gallery, Teachers College Columbia University, New York, NY (catalogue, curator Maurizio Pellegrin) Theater of Cruelty, White Box, New York, NY (curator Raul Zamudio)
2006	Expanded Media, 19. Stuttgarter Filmwinter Württembergischer Kunstverein Stuttgart, Germany (catalogue) Animal Magnetism, Essex Market Gallery, New York, NY Darmstädter Tage der Fotografie, Darmstadt, Germany (catalogue) Kunstpavillon alter Botanischer Garten, Munich, Germany (curator Rolk-Maria Krückels) Made in Video, International Video Art Festival, Copenhagen, Denmark Videoscopie, Teatro Junghans (video installation), Venice, Italy Intersezioni: 6 + 6, G. SPACE, Venice, Italy (curator Natasha Bordiglia) Intersezioni:6+6, Fusion Art Gallery, Turin, Italy (curator Natasha Bordiglia) Body Double, Gallery Zamek, Warsaw, Poland (curator Raul Zamudio, catalogue)
2005	the:artist:network, New York, NY Ambrosino Gallery, Miami, FL Zwischen Erdbeeren und Sellerie, Grossmarkthalle, Munich, Germany The Portraits of Dorian Gray Galería de Arte Mexicano, Mexico
2004	Anthro/SOCIO the:artist:network, New York, NY
2003	Works on Paper  Marvelli Gallery, New York, NY Absences: Curators' Choice, Photographs of Urban Alienation Tenri Institute,  New York, NY (curator Raul Zamudio)
2002	Geppo Biennale de Cétinié, Montenegro, Yugoslavia Reminders New York, NY (public intervention)
2001	Geppo  Galerie Kampl, Munich, Germany The Entropic Garden  Wake Forest University Fine Arts Gallery, Winston-Salem, NC Screen Spencer Brownstone Gallery, New York, NY Werktag Kunstpark Ost, Munich, Germany (curator Nol Hennissen)
2000	Snapshot Contemporary Museum, Baltimore, MD On Translation: The Adapter Art in General, New York, NY (collaborative project with Antonio Muntadas*)
1999	A Show of Hands Stefan Stux Gallery, New York, NY Open Studios Whitney Independent Study Program, New York, NY Xmas Kent Gallery, New York, NY (collaborative project*) Artists’ responses to 'Crimes of the Wehrmacht' Cooper Union, New York, NY (exhibition and panel discussion)
1998	Momenta Art, Brooklyn, New York, NY (benefit exhibition) Öffentliche Erscheinungen Steirian Autumn, Raum für Kunst, Graz, Austria (collaborative project*) act New York, NY (collaborative project*)
1997	MFA Thesis Exhibition 441 Lafayette Street, New York, NY Conversation 1997, Inquiry, and Fragebogen (internet projects) Warten auf die Vergangenheit, Munich, Germany (collaborative project*) Ich habe genug Munich, Germany (collaborative public project*) Hotel Kunstpark Ost, Galerie Szuper, Munich, Germany (collaborative public project*)
1996	New York Area MFA Exhibition Hunter College Fine Arts Building, New York, NY Basement Doors Warren Street, New York, NY (public intervention) Worldcrossing German Consulate General, New York, NY (collaborative project*) You are a public appearance New York (citywide collaborative project*)
1995	Galerie Carol Johnssen, Munich, Germany Sandton Gallery, Johannesburg, South Africa The Eurostreifen Munich, Germany (collaborative public project*) Turn it (collaborative mailing project throughout Europe*)
1994	Galerie Guth-Maas&Maas, Reutlingen, Germany (catalogue) Vorübergehende Errichtung einer Mauer als Kunst, Munich, Germany (collaborative public intervention*) Bank Hofgarten/Staatskanzlei, Munich, Germany (public intervention) Barriere Verdi Pettorano Sul Gizio, Italy (public intervention) * realized as member of the artists’ group Department for Public Appearances
GRANTS / FELLOWSHIPS / RESIDENCIES:
2023	SUNY New Paltz: Research and Creative Projects Award
2022	Arts Mid Hudson: Community Grant (with Michael Asbill) Movetia Grant for international collaboration, University of Bern: Transforming Higher Education toward Sustainability by Fostering Inner Dimensions of Learners, (with international collaborators)
2021	UUP: Individual Development Award Arts Mid Hudson: Anti- Oppression Anti- Racism Learning Cohort
2020	Visual Studies Workshop, Rochester, NY: Residency Grant SUNY New Paltz: Research and Creative Projects Award SUNY New Paltz: DEI Faculty Fellow
2019	German Academic Exchange Service (DAAD) Faculty Research Re-Invitation Grant (Berlin) SUNY New Paltz Research and Creative Projects Award
2018	SUNY New Paltz Research and Creative Projects Award
2017	Arts MidHudson Project Grant SUNY New Paltz Research and Creative Projects Award
2016	Dr Nuala McGann Drescher Leave Program Award SUNY New Paltz Research and Creative Projects Award
2015	SUNY Network of Excellence Arts and Humanities grant (lead PI) Fundihg for feed back - future feed think tank (from the SUNY New Paltz Sustainability Office, The Provost Office, The School of Fine and Performing Arts, the Sustainability Committee, and the SUNY Research Foundation.) SUNY New Paltz Research and Creative Projects Award
2014	SUNY Network of Excellence 4E /Research Foundation travel grant (lead PI) SUNY New Paltz Research and Creative Projects Award
2013	SUNY New Paltz: Provost Challenge Grant SUNY New Paltz Research and Creative Projects Award
2012	SUNY New Paltz Research and Creative Projects Award
2011	MIT Council for the Arts: Individual Artist Grant MIT Council for the Arts: Grant for Teaching Enhancement
2008	MIT Council for the Arts, Cambridge, MA: Director’s Grant
2007	Humanities, Arts, and Sciences Fund at MIT: Project Grant MIT Council for the Arts: Individual Artist Grant MIT Alumni Fund for Teaching and Education Enhancement: Teaching Grant with Prof. Wendy Jacob
2006	MIT Council for the Arts, Cambridge, MA: Director’s Grant
2004	Studienstiftung des Deutschen Volkes, Venice, Italy: Full Fellowship, 2-month Residency MIT Council for the Arts: Individual Artist Grant
2003	Vermont Studio Center, Vermont, VA: Full Fellowship, Residency
1998	Gisela und Erwin von Steiner Stiftung, Munich, Germany: Project Grant
1997	Sólo para tus ojos: el factor feminista en relación a las artes visuales, Arteleku, San Sebastian, Spain: Full Fellowship, Workshop, Catalogue
1996	DAAD / German Academic Exchange Service: 1-year USA Scholarship Chaim Gross Sculpture Scholarship, Parsons, NYC
1995	Rotary International Foundation:1-year USA Scholarship
1994	Pettorano sul Gizio, Italy: Artist Residency Italian Cultural Institute, Munich, Germany: Scholarship
1993	Danner Stiftung, Munich, Germany: 1st Prize
90/91	Cape Town, South Africa: 5-month Residency
PUBLICATIONS:
Andrea Frank, LOSSY: Toward a Sensory Ecology, edited by Modesta di Paola (Rome, italy: Aracne Editrice, 2020) Andrea Frank, Beloved Child: The War Book (Rochester, NY: Visual Studies Workshop Press, 2020) Andrea Frank, Lysis (New Paltz, NY: Catalogue in conjunction with exhibition at UNF Gallery, FL, 2018) Andrea Frank, SEARCH: Works 1998 – 2005 (Rome, Italy: Aracne Editirice, 2010) Andrea Frank, VISIONS: MIT Interviews (Cambridge, MA, USA: MIT, 2008) Andrea Frank, Ports and Ships (Göppingen, Germany: Kunsthalle Göppingen, 2008) Andrea Frank, Case Study (New York: Marvelli Gallery, 2001)
BIBLIOGRAPHY / PUBLISHED WRITINGS:
“Ecología Sensorial”, Umabarbaridad TV T14, Programa 3, Computopia RTV, https://www.youtube.com/watch?v=rvVOEgDH4oI, radio program aired April 12, 2023 Andrea Frank and Aaron Knochel, Looking for Sustainable Systems on Campus, Journal of Sustainability Education, Vol 17, February 12, 2018, http://www.susted.com/wordpress/content/looking-for-sustainable-systems-on-campus_2018_11/ Bob Self, “Environmental art show opens at UNF Gallery”, The Florida Times-Union, January 19, 2018 Intimately Unfamiliar: New Work by SUNY New Paltz Art Faculty, Samuel Dorsky Museum of Art at SUNY New Paltz, 2013, pp 26 - 27, 62 Intimately Unfamiliar: New Work by SUNY New Paltz Art Faculty, Samuel Dorsky Museum of Art at SUNY New Paltz, 2017, pp 26 - 27, 62 (exhibition catalogue contribution) Terence P Ward, “Public square proposed for the village”, The New Patlz Times, VOL 16 Issue 05, February 4, 2016 Modesta Di Paola, “El arte que traduce. 1995-2015. La traducción como mediación cultural en los procesos de transmisión y recepción de las obras de arte”. Università di Barcellona: <http://hdl.handle.net/2445/66764>, (doctoral thesis, published 7/20/2015) Sam Manzella, Picture Perfect Sustainability – Photography Professor Receives Research and Design Grant, The New Paltz Oracle, Vol 88, Issue 1, September 3, 2015 Ivan Fassio, "Andrea Frank. Convergences." Mur Mur Of Art. N.p., n.d. Web. 03 Aug. 2015. <http://www.murmurofart.com/testo-2.asp?Progr=21963>. Ivan Fassio,  "Andrea Frank - Convergences." Exibart. N.p., n.d. Web. 03 Aug. 2015. <http://www.exibart.com/profilo/eventiV2.asp?idelemento=151199>. Ivan Fassio "Andrea Frank - Convergences." Artribune. N.p., n.d. Web. 03 Aug. 2015. <http://www.artribune.com/dettaglio/evento/46462/andrea-frank-convergences/>. Deborah J. Botti, A Global Gallery: 12 foreign-born artists bring their talents to Ulster, Ulster Magazine, NY, July/August 2014 Evelyn Vogel, “Seltsame Wesen im Reich der Toten: Fünf Frauen loten in der ‘Galerie der Künstler’ die Möglichkeiten künstlerischer Inszenierung aus. In ‘Fragmente der Vorstellung’ exerimentieren sie mit unterschiedlichen Medien”, SZ EXTRA / Süddeutsche Zeitung, Nr. 180, Munich, Germany, Aug 7-13, 2014 Lynn Woods, “Systems Analyst”, The New Paltz Times, New Paltz, NY, May 18-15, 2014 Fields of Vision: Work by SUNY New Paltz Art Faculty, Samuel Dorsky Museum of Art at SUNY New Paltz, 2013, pp 28-29, 74-75 Andrea Frank, “Ute Meta Bauer”, Ute Meta Bauer, Kuratorische Praxis. Interviews und Gespräche, hg. Von Marius Babias, Neuer Berliner Kunstverein and Verlag der Buchhandlung Walther König, Köln. 2012 Roberto Giandiletti, “System/Displacements”, Wall Street International, Accessed February 28, 2012,http://www.wsimagazine.com/it/diaries/agenda/arti/systemdisplacements_20120228150802.html?preview Tommaso Zannini, “Umani Sistemi”, Artribune, Accessed February 12, 2012, http://www.artribune.com/2012/02/umani-sistemi/ Martina Cavallarin, “Andrea Frank SYSTEMS e David Rickard DISPLACEMENTS”, Arte Cultura, Accessed Febryary 12, 2012, http://arteculturaok.blogspot.com/2012/02/andrea-frank-systems-e-david-rickard.html Laura Fanti, “I ‘Systems’ di Andrea Frank… da Michela Rizzo a Venezia”, Espoarte Contemporary Art Magazine, Accessed January 30, 2012, http://www.espoarte.net/2012/01/i-systemsi-di-andrea-frank-da-michela-rizzo-a-venezia/ Enzo di Martino, "Arte e grandi circuiti di communicazione: Esempio emblematico e quello della galleria Michela Rizzo che da anni ospita autori di assoluto livello internatzionale," Il Gazzettino, Bologna, Italy, January 29, 2012 Modesta Di Paola, “Entre el arte, la ciencia y la tecnología. Los sistemas de Andrea Frank, Interartive #39, January 2012. Accessed January 27, 2012, http://interartive.org/index.php/2012/01/sistemas-de-andrea-frank/. Modesta Di Paola, “Andrea Frank ‘Ports and Ships’”, Interartive #39, January 2012. Accessed January 27, 2012, http://interartive.org/index.php/2012/01/andrea-frank/#http://interartive.org/wp-content/uploads/Barcelona.jpeg. Andrea Frank, “Ports and Ships, “ Gnome Magazine, Issue 1: Vol. 1 (2011), Boston, MA, Accessed January 27, 2012, http://gnomemag.com/?page_id=643. Andrea Frank, contribution to “Books Made Me”, Source: The Photographic Review 67, Belfast, Ireland (2011): 27. Richard Etlin, “Beloved Child: Photo Essay as Metaphysical School,” in SEARCH: Works 1998 – 2005, (Rome, Italy: Aracne Editirice, 2010) Meg Rotzel, “Who by Fire,” in SEARCH: Works 1998 – 2005 (Rome, Italy: Aracne Editirice, 2010) Meg Rotzel and Andrea Frank, “A conversation between Andrea Frank and Meg Rotzel,” in SEARCH: Works 1998 – 2005, (Rome, Italy: Aracne Editirice, 2010) Cate McQuaid, “Water Views,” Boston Globe, July 29, 2009, Boston, MA “Ports and Ships – Photographs by Andrea Frank,” PLAN # 73, MIT (2009), Cambridge, MA Dabney Hailey, “Chopin, Limassol, Venedig,” in Ports and Ships (Göppingen, Germany: Kunsthalle Göppingen, 2008) Laura Fanti, “Andrea Frank Ports and Ships – Concetto and Flagranza,” in Ports and Ships (Göppingen, Germany: Kunsthalle Göppingen, 2008) Werner Meyer, “Ports and Ships – Dialog zwischen Andrea Frank und Werner Meyer,” in Ports and Ships (Göppingen, Germany: Kunsthalle Göppingen, 2008) “Kahrmann, Frank und LaTourelle,” Südwestpresse, Neue Württembergische Zeitung, August 28, 2008, Göppingen, Germany Ursula Böttcher, “Ein Zwiegespräch Mit dem Wasser,” Südwestpresse, Neue Württembergische Zeitung, August 25, 2008, Göppingen, Germany Ursula Böttcher, “Fast schon überirdischer Anstrich,” Südwestpresse, Neue Württembergische Zeitung, August 23, 2008, Göppingen, Germany “Drei Künstler präsentieren unterschiedliche Arbeiten,” Südwestpresse, NWZ - Lokale Kultur, August 22, 2008, Göppingen, Germany "Ports and Ships in der Kunsthalle - Sinnbild der Vergänglichkeit,” Wochenblatt, August 20, 2008, Stuttgart, Germany Ursula Böttcher, “Ein komponiertes Bild voller Kontraste,” Südwestpresse, NWZ - Lokale Kultur, August 19, 2008, Göppingen, Germany Ursula Böttcher, “Farbe Sinnbild der Vergänglichkeit,” Südwestpresse, NWZ - Lokale Kultur, August 11, 2008, Göppingen, Germany Ursula Böttcher, "Ein riesengroßes Meerestier", Südwestpresse, NWZ - Lokale Kultur, August 8, 2008, Göppingen, Germany “Schiffe als Chiffren,” Wochenblatt, 30.7.2008, Stuttgart, Germany “Andrea Frank: Ports and Ships - Die Aesthätik der Ozeanriesen,” Stuttgarter Nachrichten, July 11, 2008, Stuttgart, Germany Ursula Böttcher, “Der Funke will nicht richtig überspringen - Fotoausstellung in der Kunsthalle,” Südwestpresse, NWZ - Lokale Kultur, July 14, 2008, Göppingen, Germany Klaus Nonnenmacher,”Ahoi ohne Kameraden, Andrea Frank auf großer Fahrt mit Schiffen und Containern,” Stuttgarter Zeitung Nr. 157, July 8, 2008 “Vehikel der Globalisierung- Fotoausstellung: Häfen und Schiffe von Andrea Frank in der Kunsthalle,” Göppinger Kreisnachrichten,July 9, 2008, Göppingen, Germany Sarah H, Wright, “Seeing ‘Visions,” TechTalk, April 2, 2008, Cambridge, MA “A Photographic Exploration of the Broad Institute – How the School’s Visual Arts Program Serves and is Served by MIT,” PLAN # 67, MIT, 2007, Cambridge, MA Roberta Smith, “Andrea Frank: New Photographs,”Art Reviews, The New York Times, January 26, 2007, New York Andrea Frank, Short Stories, Macy Art Gallery, Teachers College Columbia University, 2007, New York, NY (exhibition catalogue contribution, curator Maurizio Pellegrin) Andrea Frank, Mondo Cannibale, 19. Stuttgarter Filmwinter, 2006, Stuttgart, Germany (exhibition catalogue contribution) Andrea Frank, Selbstsicht - Der Schritt ins Bild, Darmstädter Tage der Fotografie, April 2006, Darmstadt, Germany (catalogue contribution) “Zwischen Sellerie und Erdbeeren: 12 Künstler, 12 Fahnen, 1 Großmarkt,” kommit, January 2, 2006, Munich, Germany “Zwischen Sellerie und Erdbeeren,” isarbote.de, October 23, 2005, Munich, Germany “Kunst in Sendling,” Münchner Merkur, October 20, 2005, Munich, Germany “Spannende Einblicke,” Sendlinger Anzeiger, October 13, 2005, Munich, Germany “Kunst in Sendling”, Kunst in Sendling (Ankündigungen), October13 – 26, 2005, Munich, Germany “Kunst in Sendling,” Applaus (Ankündigungen), October 2005, Munich, Germany Laura Fanti, “Andrea Frank,” Espoarte (giovani), June/July 2005, Italy Chiara Olivieri Bertola, “Andrea Frank at PINTA contemporanea” Tema Celeste Italia 108  (reviews), 2005, Italy “Andrea Frank PINTA, Genova,” Flash Art Italia (galleries, artists, events), December 2004 -January 2005, Italy Sebastiano Grasso, “Andrea Frank / PINTA arte contemporanea,” Corriere della Sera (art listings), November 2004, Milan, Italy “A Raft of Exhibits by Visual Arts Faculty,” PLAN # 59, MIT, Fall 2004, Cambridge, MA Mary Hrbacek, “Andrea Frank at Marvelli Gallery,” M - The New York Art World (reviews), Summer 2004, New York Ken Johnson, “Works on Paper,” The New York Times (art listings), June 27, 2003, New York Raul Zamudio, “The Missing: The Photography of Andrea Frank and Cleverson,” NYARTS, May 2003, New York Andrea Frank, Muntadas: On Translation (catalogue contribution) (Barcelona, Spain: MACBA/ ACTAR, 2003) Department für Öffentliche Erscheinungen (collaborative projects catalogue) (Nürnberg, Germany: Verlag für Moderne Kunst Nürnberg, 2003) Linda Weintraub, “Andrea Frank,” Tema Celeste (reviews), July/August 2002 “Andrea Frank,” The New Yorker (art listings), May 13, 2002 Andrea Frank, “Self Portrait,” Tema Celeste, November/December 2001 David Levi Strauss, “Tempus Loquendi, Tempus Tacendi: Andrea Frank's Case Study,” in Case Study (New York: Marvelli Gallery, 2001) Birgit Sonna, “Luftschlösser mit Bodenverhaftung,” Süddeutsche Zeitung (Münchner Kultur), July 10, 2001 Ken Johnson, “A Show of Hands,” The New York Times (art guide), May 21, 1999 Enzo Siciliano, “Nuovi Talenti: Ultimo Indirizzo Brooklyn,” La Repubblica, June 14, 1999, Italy Kim Levin, “The Xmas Project,” Village Voice (art listings), December 21, 1999, New York “One day, 112 Views,” Resident, December 7, 1999, New York Heinz Schütz, “Steirischer Herbst 98,” Kunstforum International, No 143, January – February 1999, Cologne Annemarie Happe, “Öffentliche Erscheinungen,” Megaphon, No 37/4, October 1998, Graz, Austria Hilmar Hoffmann (Ed.), Das Guggenheim Prinzip (Cologne: DuMont, 1999) , 158-159 Cornelia Gockel, “Eurostreifen und ein stinkendes Parfüm,” Süddeutsche Zeitung, August 13, 1998, Munich “scratch and sniff,” Bauwelt 30, August 1998, Berlin Jörg Restorff, “Guggenheim gibt Gas,” Kunstzeitung 24, August 1998, Regensburg “A Guggenheim Perfume?,” Artnet Magazine, NEWS, June 1998, New York Barbara Ertl, “Öffentliche Erscheinungen,” Neue Kronen Zeitung, October 11, 1998, Graz, Austria Ulrich Chaussy, “Übernimmt die Werbung die Kunst oder die Kunst die Werbung?,” BR - Bayerischer Rundfunk (Kultur Aktuell - radio interview), June 19,1998, Munich Petra Dachs, “Parfüm 'act' 'duftet nach Benzin und Öl,” Münchner Merkur, June 17, 1998, Munich El factor feminista. Erreakzioa-Reacción (group exhibition catalogue) (San Sebastian, Spain:  Arteleku, 1997) Guido Fuchs, “Heute keine Erscheinung,” Abendzeitung, May 10,1996, Munich “Europa- statt Zebrastreifen,” Münchner Merkur, July 28,1995, Munich “Mehr Sicherheit durch gekippten Zebrastreifen”, Abendzeitung, August 5/6,1995, Munich Klasse Ben Willikens – Akademie der Bildenden Künste München (group exhibition catalogue) (Reuttlingen, Germany: Galerie Guth-Maas & Maas, 1995) Angela Holzhauer,”Die pittoreske Sonnenseite Südafrikas,” Süddeutsche Zeitung, December 22, 1992